kilómetros With '14 'Olivares English director gives us a harrowing story comes combining realism poetic and a complaint that can not fail to touch the minds of viewers.
In his second feature film Olivares along the plight of illegal migrants from the Dark Continent wander in the direction of Morocco to reach the attractive European opulence, the tragic illusion that they're desperate for the 14 km of the Strait to separate them from ' longed-for happiness. The camera tightens on Buba and Violeta, is to them that turns her gaze discreet but present, follows them step by step in their grueling odyssey. The cherished European continent will see only the southernmost tip of Tarifa, where the Andalusian city will land the two boys apart from these few moments, Europe given only as reflected in the dreams of immigrants, the director does not care or focus. It is Africa that are interested to Olivares, with its contradictions and its despair, it is about Africa that seems to want to invest and desperately cry out that his people should do it. The film oozes bitterness with each shot, the bitterness of the flight from its origin, of wanting to cut the roots in the name of a utopian better life. The vivid photograph taken of sunsets against the pristine natural areas and contributes to the poetry of a film that never loses the delicacy of a story of young souls who believe in a dream that even supported almost exclusively by mirages, it is still possible. The story of Buba and Violeta leaves him the aridity of the desert that has seen them come into the world, while the desert that separates them and imprisons him. "They will continue to live and die, because history has shown that there is no wall that can hold the dreams" Olivares borrows a reflection of the English writer Rosa Montero, puts you at the end of its work and relies on the role of dreams the only certainty as possible.
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