The Argentine Oscar, including melodrama, noir, and individual and collective history of Boris Sollazzo
Who is damned for Essentials earnings, rarely comes to mind as a master Juan Jose Campanella. One who has won the last Oscar for best foreign language film (which was already gone by in the past, ending in fives, with the bride's son, the one already shown in our country), who told a Argentina in recent decades with the microcosms vibrant, full of feelings and emotion. Melodramas that mixed gender and history to tell us what happened before the military dictatorship, as in the latter the secret of his eyes, or during the bankruptcy fraudulent use of a whole country, as in de Luna Avellandeda. A look full of pitiful but piety on a country plagued by political and historical horrors and errors on a blunt and fierce power. Three decades ago began the slaughter of a generation physical and psychological well-desaparecidos-the latest hit their pockets. The secret of his eyes (From Sacher La pregunta de sus ojos) somehow come full circle. Between a present and a past full of regrets of remorse (and vice versa), including a love destroyed by a terrible murder, and another never born. Two similar crimes, in which the two protagonists of the second struggle for the first, in a catharsis that leaves them in 1975 to find them after three decades. The couple Ricardo Darin, Soledad Villamil, his favorite actor, are poignant in escaping looking at that book that the first returns to the scene of the crime. What a love suffocated by social rules, that of a battered woman, beautiful, young and in love and her inconsolable widower. And in the background of Argentina, before & C. Videla, already well over the edge of the abyss, at the mercy of forces of disorder with a license to kill. Campanella is a superfine
puppeteer, moving the actors, very good, its board, with sudden decision surprised gender-changing melodrama, noir, comedy, buddy movie (with a scream as a supporting actor Guillermo Francella) - and offers of great artistic solutions level, as "fake" pianosequenza textbook. Just think of the stadium-a delightful selection of the team's Racing Avellaneda, loser of success with typhoid-hot housing a moment of great cinema. And for more than two hours this fine filmmaker who knows how to slap and then dry your tears, traveling in the individual and collective memory. The red wire from the dead body and blood is wonderful Carla Quevedo up to that defiant and provocative interrogation of Soledad Villamil, bodies of women that men vent cowardice, violence (self-) destruction. A film is a history of flesh and at the same time absolute metaphor, art films and high-level entertainment.
puppeteer, moving the actors, very good, its board, with sudden decision surprised gender-changing melodrama, noir, comedy, buddy movie (with a scream as a supporting actor Guillermo Francella) - and offers of great artistic solutions level, as "fake" pianosequenza textbook. Just think of the stadium-a delightful selection of the team's Racing Avellaneda, loser of success with typhoid-hot housing a moment of great cinema. And for more than two hours this fine filmmaker who knows how to slap and then dry your tears, traveling in the individual and collective memory. The red wire from the dead body and blood is wonderful Carla Quevedo up to that defiant and provocative interrogation of Soledad Villamil, bodies of women that men vent cowardice, violence (self-) destruction. A film is a history of flesh and at the same time absolute metaphor, art films and high-level entertainment.
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